Most TV camera operators will be very familiar with the phrase “protect your highlights”, meaning don’t over expose, if anything under expose a tiny bit to keep the highlights looking good. In addition it also means that if you are over exposed when you shoot, the picture will look bad and no amount of post production correction will ever make it look good. Unfortunately this means that the highlights are somewhat compromised, looking very flat, lacking contrast and this is often what gives video the “video look”. Then to help deal with bright highlights conventional gammas use some kind of highlight roll off or knee to increase the brightness range the camera can capture without effecting the mid range. To do this conventional gammas keep the mid-range contrast compatible with conventional TV’s and monitors, so the picture has natural contrast when viewed on a TV. Conventional gamma curves (like rec-709 or Cinegamma) are designed to produce a pleasing on screen image without any post production work (although the cinegammas do typically benefit with some tweaking in post). Log gamma curves are very different to conventional gamma curves. As well as the Cinegammas the camera also has the S-Log2 and S-Log3 log gamma curves as well as S-Gamut, S-Gamut3 and S-Gamut3.cine. The Cinegammas are very useful for challenging lighting conditions as they offer an improved highlight roll-off. It also has picture profiles so you can tailor the look of the pictures or to suit different shooting conditions. This compact interchangeable lens camera has an amazing feature set that is very similar to the features found on it’s bigger brothers the A7sII and A7RII.Īs a video camera it’s also capable recording using the XAVC-S codec in both HD and UHD(4K). Its role is not only in artistic application, but also in the technical optimization of images without artifacts at different stages of production.The new Sony A6300 is making quite a stir. We use 3D LUT Creator in the preparation for color correction, clarification of color accents, final color correction and inside VFX pipelines. We optimized our processes so that 3D LUT Creator became one of our main tools. Also, it becomes possible to manage colors in any ways, which allows to expand the arsenal of creative solutions. While the mask for various parameters in other programs, such as DaVinci Resolve, can't accurately select a part of the image and thus creates artifacts, 3D LUT Creator can create masks with smooth edges to perform such operations. The main advantage of 3D LUT Creator for us is the capacity to work with complex materials: high noise level, numerous cameras, and features of material conversion. But after we saw 3D LUT Creator at work - everything fell into place. The LUT was used as a tool for creating common color accent or for technical purposes. When 3D LUT Creator just appeared, we did not quite understand the field of its application. Our company produces commercials, industrial videos, music videos and VR videos. 3D LUT Creator enables me to have the final image that I'm proud of and repeat the process every day. Now I can't imagine working without it, and I'm so grateful for having it. I just make the grade in 3D LUT Creator and apply it to a video or a photo, and it still has the style I want. It works the same as for pictures, I don't have to learn anything new. Now I'm getting into videos too I'm shooting music videos, promotion videos etc. It was so intuitive to work with, that you just know what to do immediately. I was thrilled by how well it worked and by the fact that I was able to edit a picture in a minute, much faster than it takes in other programs. I bought it immediately and started to play with it. Then I started looking at color grading in movies, and creating 3DLUTs when I discovered a beta version of 3D LUT Creator. I often wanted more precision, but in the end I had to be satisfied with plain editing as I had to deliver photos quickly. It took forever to color grade a single photo using masks, converting it to LAB, going back to RGB. From the beginning I knew how I wanted my photos to look, but it was very hard to do. I'm a professional photographer who is shooting fashion models, interiors, portraits and so on.
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